Black Swan Opens to Record Numbers

Darren Aronofsky’s Black Swan had an impressive debut weekend grossing $1,394,265 from just 18 theaters. This $77,459 per-theater-average set a new record for Fox Searchlight. IndieWIRE breaks down the weekend’s box office here.

I, for one, misjudged Black Swan‘s appeal. When my friend Ally and I ventured to Union Square to catch an afternoon screening, this is what we discovered:

Standing and staring at this screen, we weighed our options. We could either see a later screening, see The King’s Speech, or do something else entirely.

After seeing Harry Potter three times, Ally is a little maxed out on Helena Bonham Carter so we nixed see The King’s Speech. (For now. As one man, also in a similar predicament, told us, “It’s going to get a lot of nominations.”) Neither of us had the time to go to a later show so we settled for something else. Something free.

Riding aimlessly on the Staten Island Ferry? Not a bad alternative.

Fay Wray, The Original Beauty

Fay Wray in King Kong

With the remake of King Kong, directed by Peter Jackson, opening on December 23, it seems necessary to recognize Fay Wray, who originated the role of “the beauty”. Naomi Watts will attempt to fill her shoes this winter.

The Empire State Building has a permanent exhibit dedicated to Fay Wray. Many tourists attend the exhibit every year because for many of them, King Kong was the movie that made them fall in love with the movies. Here is an excerpt from the NY Times article about Wray and the impact her signature role has had on audiences.

The Giant Ape Climbed Here. And She Was Why
By Shadi Rahimi
Published: September 22, 2005, The New York Times

It is a silent tribute to the beauty who screamed her way to fame in the clutches of a giant gorilla in love, created by a fan who collected stacks of movie memorabilia.

A permanent exhibit featuring “King Kong” movie posters and photographs of the film’s star, Fay Wray, is on display on the ground floor of the Empire State Building – a place that the actress once wrote “belongs to me, or is it vice versa?”

Miss Wray, who stood atop the building for the last time several months before she died at 96 in 2004, appeared in about 100 movies. But she was remembered best for screeching and writhing in the powerful grip of King Kong in 1933.

Two display windows, designed by a property manager and “King Kong” fan, Justin Clayton, 50, commemorate the link between the actress and the building.

For Samuel Renonoly, a 33-year-old tourist from Liège, Belgium, the old movie posters brought back the excitement of seeing “King Kong” as a 9-year-old living in Congo. “There were lots of gorillas everywhere, and I wanted to see a bigger one,” he said.

After hearing last week that she had been hired as an intern at City Guide magazine, on the 24th floor of the building, Dez Burstein, 21, said she bought a shirt bearing a 1930’s “King Kong” poster.

Stopping at the display, tucked in a nook around the corner from the escalators, Ms. Burstein gazed at a portrait of Miss Wray as the damsel-in-distress Ann Darrow, with tousled hair and a tattered robe. “She was just so beautiful,” she said.

Mr. Clayton, who said he befriended Miss Wray in 2003 and spent many weekends with her watching her old movies, said he chose the “most dramatic and attractive” of his hundreds of articles of memorabilia for the display.

“Now she is forever enshrined in this legendary building that she helped make famous, and vice versa,” he said.