I never know what to expect when Luminarium Dance Company presents new work, . With every Luminarium piece I see, there is always something different and exciting evolving on the stage. Co-artistic directors Merli V. Guerra and Kimberleigh A. Holman are unafraid to take bold risks and explore multiple mediums – film, sound, design – through dance. The result, as seen in Luminarium’s recent showcase, is once again something marvelous.
Y.E.S – A Year End Show on Nov. 4 and 5 at Green Street Studios in Cambridge, MA celebrated Luminarium Dance Company’s first season. Since the company’s debut performance “Fracture” in November 2010, Luminarium Dance has presented new work at a variety of venues and festivals including Boston Center for the Arts, Mobius, and the Seacoast Fringe Festivalin Portsmouth, NH. Beyond these various shows and festivals, Luminarium also partnered with the Boys and Girls Clubs of Boston to present LEAP: Leading and Engaging Artistic Pursuits.
Y.E.S. showcased the growth that Luminarium Dance has experienced throughout this formative year. The company has grown in size as have the audiences but the work remains just artistically challenging and impressive. The six pieces featured in Y.E.S. ranged in style, concept, and scope. No matter how Guerra and Holman approached their work, both choreographers seemed to be addressing one concept: how a community is created through dance. Continue reading “Luminarium Dance Company Showcases Landmark First Season With Y.E.S.”
I’ll be honest. I wasn’t expecting much from the remake of Footloose. If you read my ridiculous assumptions about the trailer based on the trailers, you probably already knew this. So when Ally and I (you know Ally; we have a podcast) decided to see Footloose, we went to mostly snark at it. While the scene-for-scene remake is definitely snark worthy, there are some things worth mentioning about Footloose.