Motifs in Cinema ’11: Loyalty and Solidarity

Perhaps because it’s one of the youngest artistic forms, cinema is often assessed in much different manner that literature, or the visual arts. We discuss it in terms of genre, not in terms of thematic offering. Comparing, for example, Corpse Bride and Up because they’re both animated leads to some dubious discussion especially when – like any art form – thematic elements examined in cinema and the way different filmmaker address them make for some stimulating discussion.Motifs in Cinema is a discourse, across eleven film blogs, assessing the way in which various thematic elements have been used in the 2011 cinematic landscape. How does a common theme vary in use from a comedy to a drama? Are filmmakers working from a similar canvas when they assess the issue of the artist or the family dynamic? Like everything else, a film begins with an idea – Motifs in Cinema assesses how the use of a single idea changes when utilised by varying artists.
Continue reading “Motifs in Cinema ’11: Loyalty and Solidarity”
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Films Watched: January 22 to 28

Here is what I watched this week.  (I’m beginning to see why Netflix keeps recommending me “films with strong female leads”.) Continue reading “Films Watched: January 22 to 28”