Reese Witherspoon’s Post-Oscars Blues

Et tu, Witherspoon? Photo: Film School Rejects
Et tu, Witherspoon? Photo: Film School Rejects

In case you missed it, Reese Witherspoon and her husband Jim Toth were arrested on Friday April 19. This is one of the biggest, juiciest gossip stories to happen in a long time. According to police reports, as Toth was being arrested for a DUI, Witherspoon got out of the car and said to the police officer: “Do you know my name?” When the officer said that did not matter, Witherspoon responded: “You’re about to find out who I am.”

Oh my Reese. That is not how one of America’s sweethearts behaves. Continue reading “Reese Witherspoon’s Post-Oscars Blues”

My Week in Film: March 25 to March 31

Here is what I watched this week. Continue reading “My Week in Film: March 25 to March 31”

Trailer Fix: How Do You Know

The trailer for the upcoming James L. Brooks film, How Do You Know, has hit the web. The film stars Reese Witherspoon as a professional softball player who is caught in a love triangle with a corporate executive (Paul Rudd) and a major-league pitcher (Owen Wilson). Jack Nicholson also co-stars.

Brooks began production on How Do You Know five years ago when Brooks became interested in making a film about a female athlete. With Reese Witherspoon cast as the lead, How Do You Know is stands out because it is an expensive, star-driven vehicle.

How Do You Know hits theaters December 17.

My 2006 Academy Awards Recap


The Oscars were really good this year (definitely much better than last year’s show.) Where to begin?

The opening montage of every classic moment/actor digitally animated… wow. For a classic film freak like me, it was fun trying to see how many movies I could name. Then the comedy bits started. I loved it when Jon Stewart woke up in bed with George Clooney. “Is this a dream?” “No.” Great way to start the show.

Stewart’s first few jokes completely bombed but after that he picked up steam. Then he lost it again. That’s okay. Nothing can stop me from loving Jon Stewart. I loved the tribute to Westerns and the innuendos. “The gayest genre” according to Stewart if you watched Oprah today.

Best Supporting Actor goes to… George Clooney, as predicted. He gave a great speech. “All right, so I’m not winning director.” Then he added, “I’m proud to be out of touch”.

March of the Penguins won best documentary, although it should’ve gone to Enron. Still a great movie nonetheless and I loved how the director (I forget his name) dedicated the award to all the children who saw the film and how hopefully it could influence then when they’re making the important decisions (with environmental issues and such) by 2041.

Rachel Weisz winning was awesome and she looked gorgeous for being 7 months pregnant. In her speech she thanked those who do the humanitarian work like her character did in The Constant Gardener.

I guess the old fart’s don’t run Hollywood afterall. I mean, 36 Mafia won for best song. By far the most excited (and more shocked than the cast of Crash) to win.

Robert Altman, director of M*A*S*H and Nashville, received the honorary oscar. Well-deserved. He’s been denied too long. His next feature is A Prarie Home Companion. Meryl Streep and Lindsay Lohan star in a great ensemble cast.

Philip Seymour Hoffman won Best Actor for his role as Truman Capote in Capote. And he dressed for the occasion.

Another shocker. Reese Witherspoon won.

Love Ang Lee. Great director. He deserved it for Brokeback Mountain.

But the best moment of the evening had to be when Crash pulled the biggest upset in recent year’s. Yes, I was expecting that it could happen and as the night went on, it was becoming a little more clear to me that it could, but stilll I was shocked. My jaw literally hit the floor. And then I was pissed. Why? The acceptance speech was cut off. Come on now. They make this big deal during the show to promote great Oscar moments and the producer ruin one by turning off the mic.

I’ll respond to the controversy surrounding this win tomorrow.

The Crash posse

Other great moments:

  • The mock political campaigns fro Best Actress. “Keira Knightley, acting while pretty.”
  • Lauren Bacall. Need I say enough.
  • The montage tributes to epics, film noir, and biopics.
  • Itzhak Perlman, playing selections from each nominated score.
  • Stewart, ” “‘Good night and good luck’ — the line that Mr. Clooney ends all of his dates with.” The look on Clooney’s face… priceless.

Overall a great night at the Oscars. Can’t wait until next year. I’m thinking Scorcese could finally win.

Review: Walk the Line (2005)

Walk the Line opens as the camera pans over Folsom Prison in California; there is a light thumping noise. As the camera winds down the prison corridors, past the empty cells, the thumping grows more intense. Finally we see where the camera is heading; a stage within the prison walls as a crowd of inmates clap their hands in anticipation. They are waiting for Johnny Cash to enter the room and begin a now legendary performance.

Walk the Line is the slightly romanticized biopic of singer Johnny Cash. Joaquin Phoenix delivers an intense and convincing portrayal of the Man in Black but it is Reese Witherspoon who shines as June Carter, Cash’s creative partner and eventual second wife. Their performances as the legendary country duo alone are enough reasons to see this film.

The picture follows the early life and career of Johnny Cash. Starting from his depressing childhood in rural Arkansas when his beloved older brother was killed to his humble beginnings as a recording artist and his life on the road. On the road, Cash meets and instantly falls for June Carter, a country singer who is more a personality than a voice. The movie then follows their relationship as Cash battles drug addictions and June’s refusal to marry Johnny.
Reese Witherspoon is the highlight of this picture that is drenched with excellent images and the music of Johnny and June Carter Cash. As in most of her performances, Witherspoon possesses her usual sass and charm and by dying her hair brown, she makes you forget about the Legally Blonde films. This is a role she was born to play.

Walk the Line shatters the biopic stereotypes. Reese Witherspoon and Joaquin Phoenix deserve every accolade they have received this season. And the music is pretty damn good too.

Updated October 10, 2010