Seven Samurai: Restoring a Classic

If you have ever seen Seven Samurai (1954), directed by Akira Kurosawa, you know what a masterpiece and work of art it is.

The plot is simple. Set in 16th century Japan, a group of “villagers, terrorized by bandits, asks an old samurai if he’ll defend their town. He finds six other samurai — as well as an apprentice — and the group does battle with the bandits.”

This 207 minute epic is an energetic and stunning motion picture achievement.

In the beginning of September, Seven Samurai, was reissued, after a careful and tedioius restoration project that lasted over two years.

How ‘Seven Samurai’ was saved
POSTED: 3:50 p.m. EDT, September 22, 2006 By Todd Leopold CNN [SOURCE]

The process of restoring a classic film — indeed a film considered one of the greatest in movie history — conjures up the old joke about how to feed a hungry lion.

The answer: very carefully.

Such was the challenge to the folks at the Criterion Collection when they embarked on a project to reissue Akira Kurosawa’s 1954 work Seven Samurai. The film had been the second the company had ever released on DVD, in 1998, in an edition that duplicated a version the company had put out in the now-defunct laserdisc format.

But technology had greatly improved in the ensuing decade, and when the opportunity came to clean up a release that Criterion executive producer Kim Hendrickson describes as “substandard” by the company’s lights, they dove in.

It was a huge opportunity to tackle a great film,” she said.

Not that it was easy.

Samurai” is one of Kurosawa’s masterpieces, a 207-minute epic of 16th-century Japan. Villagers, terrorized by bandits, asks an old samurai if he’ll defend their town. He finds six other samurai — as well as an apprentice — and the group does battle with the bandits.

The simple plot doesn’t do justice to the movie, which includes an energetic and almost feral performance by Toshiro Mifune and concludes with a messy, gloriously shot and edited confrontation in the rain.

Complicated tracking shots compete with equally elaborate and fast-paced editing to create a film whose constant prevailing tempo is that of war punctuated by ever shorter intervals of peace,” wrote film historian David Cook in A History of Narrative Film, describing “Samurai” as “a stunning achievement.”

The film inspired The Magnificent Seven (1960), along with a number of other American (and spaghetti) Westerns.

This is a special film,” said Lee Kline, the technical director on the Samurai reissue, which came out at the beginning of September.

But special or not, it had been more than a half-century since Samurai was made, and the original negative — the source material for printing the finished product on celluloid — was missing.

To begin the process, Criterion located an early negative and an early positive and determined the positive was the closest to the original. So the company made a new negative, using “Wetgate processing,” a chemical system that fills in flaws in the original material.

That was just for starters. The technical team had to cope with the fact that the positive had shrunk, meaning that light could get in around the edges of the frame; that scenes contained black frames or missing frames, making transitions jarring; even that the original mono soundtrack had to be restored.

Some issues were dealt with through technology; others took painstaking research, as with a search to find existing versions of the film’s shots without the black frames.

In some cases, the Criterion crew had to ask itself what the filmmaker intended. (Kurosawa died in 1998.) One scene shows a very obvious hair at the top of the frame, a hair that probably existed in Kurosawa’s camera — and has been seen in the film since its release.

They opted not to reshoot, and we had to honor that,” Kline said. The crew is constantly asking itself, he
said, “When we fix something, are we doing something we shouldn’t do?”

The result — which took two years and thousands of hours — has earned raves from cinephiles. “This is my vote for release of the year,” wrote reviewer Pat Wahlquist on
Kline said he is pleased as well, though he always wishes he had more time.

For the most part, you wish you had a few more weeks,” he said. “People are used to pristine. But if we did that, we’d never get it out.”


Here are before and after stills from the Seven Samurai restoration project.


No, No, NO!

If this rumor is true (and it could be), then it’s just is not right.

Hong Kong action star set to lead in Japanese Remake

Mon May 29, 5:40 AM ETHONG KONG (AFP) – Hong Kong action star Donnie Yen is set to lead in the Hollywood remake of Japanese classic The Seven Samurai, alongside George Clooney and Chinese starlet Zhang Ziyi, a film company said.

Yen met with Hollywood heavyweight Harvey Weinstein during Cannes film festival to discuss the remake of the 1954 action film directed by Japanese master Akira Kurosawa.

Weinstein has invited Yen to play one of the seven sword heroes in the film, according to Mandarin Films, which represents the actor.

Donnie has met Harvey Weinstein in Cannes to discuss the project,” a spokeswoman for Mandarin Films told AFP. “We don’t know more details as it is still at an early stage.”

She said Weinstein has also invited Clooney and Zhang to lead the film. It is not clear how much the project will cost.

Yen, 43-year-old actor, director and action choreographer, has starred in over 40 films, including Blade II, Seven Swords and Zhang Yimou’s Hero.

The Seven Samurai tells a story of seven Samurai heroes’ who battle with 40 bandits who try to control and constantly attack a small village.


This makes me cringe. Harvey Weinstein, I expect better choices from you.

Apparently, because the original The Seven Samurai is black and white AND has subtitles, it is worthy of some minor updating. AKA CGI-affects and a $100-million budget.

If you haven’t seen The Seven Samurai, it is Japanese filmmaking at it’s finest. I will admit that the picture moves VERY slow. But each shot is beautiful, with strong artistic merit and every character, no matter how small a role, is vital to films dramatic, action-packed conclusion. See it, please. TCM airs it regularly.

Fortunately, the world renowned Asian actor George Clooney would star in the remake as Kambei, the head Samurai, you know, to add to the film’s authenticity.

Yes. This will be a great success.