It is another night without cable for me. Fortunately, a solid selection of my DVDs have been transported to Boston so I finally have something to watch. But just what movie am I going to watch?
I’m having some issues deciding what movie I should watch tonight. I’ve narrowed it down to five and the best reason I can think of to watch it. Maybe you can help me out from here.
Little Miss Sunshine (2006)
Why: Because once upon a time Abigail Breslin was adorable. (I also have not seen this, I think, since it was released.)
Stage Door (1937)
Why: It’s a great early Katharine Hepburn movie that also stars Lucille Ball and Ginger Rogers.
Annie Hall (1977)
Why: I watched Whatever Works this morning and I could go for a really good Woody Allen movie now.
To Have or Have Not (1944)
Why: Lauren Bacall. Bogie. This scene. Need I show you anything more?
Garden State (2004)
Why: In honor of my upcoming return to New Jersey, I should rewatch a movie that filmed in my hometown.
There you have it. Have any other suggestions that might tip the scale in one movie’s favor?
Every Top Ten list is subjective. It is a fact we know all too well but that still doesn’t stop us from arguing what are the greatest movies, songs, bands etc. of all-time. Which brings me to Spinner’s list of the 77 greatest movie songs. I agree with the majority of the songs featured on the list – not necessarily the order. I just don’t get what makes these songs “unforgettable.” (An EW.com blog post breaks down that very word here.)
My main complaint is that the earliest song selected is “Moon River” from 1961’s Breakfast at Tiffany’s. Apparently before 1961 there was no such thing as an “unforgettable movie song.”
My personal Top Ten list of “the greatest movie songs” first includes staples such as Celine Dion’s “My Heart Will Go On” (Titanic 1995), Simple Minds’ “Don’t You Forget About Me” (The Breakfast Club, 1985), and Simon and Garfunkel’s “Mrs. Robinson” (The Graduate, 1967).
Then there are other favorites such as “I Can’t Give You Anything But Love Baby” from Bringing Up Baby:
“How Little We Know” from To Have and Have Not:
And easily my number one is “Que Sera Sera” from 1956 version of The Man Who Knew Too Much. More so than “I Can’t Give You Anything But Love Baby” or “How Little We Know,” this song is used brilliantly by Hitchcock during the film’s climactic sequence. Plus, it has a Doris Day performance and you can’t beat that. No wonder it won the Oscar for Best Original Song in 1956.
For me, these three songs define “unforgettable movie song”, long before Celine ever even belted a note.